Posts tagged repair
Crack or split repair and prevention
Jul 29th
….OUCH…A guitar makers nightmare…
- Sound board centre seam crack
- Planet Waves Humidity Control Kit
- Humidipak
The Problem:
It is very sad when after all your hard work something like this happens…it shouldn’t but it does. It is surely equally upsetting for the owner. This is only the second time one of my guitars has come back looking like this but I thought I would write a few words on the subject to hopefully help prevent it happening again.
It is not uncommon among high end guitars made as they are from inherently fragile, thin plates of fine tone woods. It appears the most common place for a split to appear is along the centre seam of the soundboard between the bridge and the tail block as in the picture above. Coincidentally this can also the hardest to fix as there are more braces on the soundboard to be potentially affected.
Unless the braces have also come loose, or the top or back become separated from the sides, most splits or cracks have no noticeable effect on the tone, but it is better to repair them before they get any worse.
The Cause
All our wood is carefully conditioned before work starts but this does not make it indestructible.
Rapid changes or extremes in the environment can harm your guitar. Because the top and back are curved this allows some breathing space for the thin plates to expand and contract slightly as they take on and lose moisture, but there is a limit. Taking on moisture in a damp environment is less damaging, the plates may warp and the action may rise, but too dry and the wood will shrink and eventually split. It can also become very brittle and even a small knock can cause it to split.
Real damage occurs invariably when guitar is allowed to dry out too much. The most common causes are:
A. left in the sun
B. hot car/van
C. attic or centrally heated room (i.e.too near a radiator)
The symptoms
You can usually spot if your guitar is drying out to much as the curved top and/or back plate will start to flatten out. This will cause the action to drop and you may experience a few buzzes or rattles while playing that weren’t there before. Other symptoms may include a dry appearance but this can be hard to spot to the untrained eye, and sharp fret ends as the fretboard shrinks and they begin to stick out slightly.
Inevitably as they are made of wood, guitars move all the time, albeit very slowly, as they react to the changes in the seasons which is why some players have their guitars set up twice a year (whether it needs it or not!). Under normal conditions most guitars don’t move enough to affect playability so the small amount of movement goes unnoticed.
The Cure
The instrument should be moved immediately to a safe environment between 45-55% humidity and allowed to settle down and stabilise. Often gaps will close up on their own but they will still need to be fixed to stop it from spreading.
Various repair techniques can be employed to cure the problem, some refinishing is normally required.
A. If the gap can be easily closed then it can be simply glued back together
B. Wider gaps must be filled with a splint made from the same material
Small cleats may be glued inside to reinforce the repair- the sound should remain unchanged if done correctly.
C. In extreme cases it may be easier to replace the damaged part altogether but this has the most potential to alter the sound of your cherished instrument especially if it is the soundboard.
Repairs like this can be tricky and very expensive so it is well worth trying to avoid them.
Prevention is much better!
Wood should not crack or split if kept at 45%-55% humidity.
Guitars are made to be played and not kept in a glass case, but if you have an expensive or cherished guitar it is well worth taking a few steps to avoid any damage caused by letting it dry out too much.
Buy a ‘hygrometer‘ (not a typo- a humidity meter), and a ‘case humidifier‘ if the room you keep the guitar is on the low side (less than 40%) and put the guitar in it’s case when you are not using it.
The Planet Waves Humidity Control Kit contains both items.
Alternatively for non techies the Planet Waves Humidipak is a two way system that gives out or takes in moisture as needed to keep your instrument in the best of health.
In future every Bailey acoustic guitar will be supplied with a Humidipak which I will also make available in my on line shop for anyone interested in protecting their own instruments.
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Cross The Border come South for the Fastest Repair in the West
Apr 11th
Sunday 11th April - the day after the night before
- here we sit – Duffy, DJ Buddha, Lew and Stoo
- Here We Stand – by Cross The Border
Half of the Celtic Roots band “Cross the Border” popped in for a cuppa and a workshop tour this weekend – the summer sun appeared from somewhere and we drank tea in the warmth of a glorious day. Like most visitors it wasn’t the tea or the amazing conversation they came for. It certainly wasn’t the cake (didn’t have any..ooops..sorry) I think they liked the guitars….
Stoo Nichol and Lew Robinson make up the half that arrived, along with the marvellous music man DJ Buddha who has created an inspiring internet radio station. There was much talk of St Anne of Duffy’s curry…. which is the link between Bailey’s and CSB … Mr Duffy himself. All are part of the Artistic Freedom Collective (AFC) which is a collective of musicians who play and organise events all over the place.
We were honoured that they came down for the Acoustic session on the Saturday – “the best open mike around ” said Stoo. They played a great set – both being guitar players, singers and Lew adding percussion (when not playing the guitar ) and sprinkle of Duffy’s Bouzouki was the cherry on an otherwise delicious trifle.
The band in full swing includes fiddle by Yuuka Yamada and percussion from Kris Padbury and they are all off to Germany in June – a Celtic radio station over there – (schottenradio.de ) has been getting so many requests for their tracks they just have to go
Lew qualifies for the Bailey ‘fastest repair of all time’ award – he went in with a guitar case, we all had a gulp of tea, he came out and said it was fixed. Think it took Mark as long to do the repair as zip the case back up. (if only all repairs were made that way )
Great guys and musicians – we wish them well in all they do. Hoping the cat drawing Buddha’s blood will not stop them visiting again ( more apologies)
Their album “Here We Stand” is a lovely thing to behold - the artwork is great and I do like a CD with a cover you can look at like an LP . Full marks for no plastic shells also.
It is available from http://www.crossthebordermusic.co.uk/ or iTunes Amazon etc , and supports the charity CRY, which raises awareness of Sudden Death Syndrome.
The Chet – Part 10/10 – Signed, sealed and delivered…
Dec 16th
Aug 11, 2009 @ 14:09
Me and Carol delivered the guitar to Martin today. To be honest I was still not sure about the magnets holding on the truss rod cover and the knot-work panel on the side of the guitar. I had left this unglued because it was the only access to the inside if there was any problem with the electrics. I had thought that I would show him the guitar and he would say ‘hmm.. I like it but can you do this… or that to it’. I was expecting to take the guitar away with me for some last minute tweaks but he sat and played it for ages and didn’t seem to want to part with it again.
He did say he would rather have the side panel glued in and luckily I had brought some glue along because I thought that might be the case. So I glued the last piece in right there in his living room and left it with him.
Big THANKS to Martin and Liz for their hospitality and a great evening – and for giving me the Chet Project. I thoroughly enjoyed every bit of it.
(Foolishly I forgot to take any pics of the finished article but I’ll post them as soon as I can get hold of some…….)
Martin Taylor’s guitar – The Chet – Part 9/10 – FireHorses and ‘Conyach’
Dec 3rd
….Putting it back together again….
- Billy is about to polish the headstock
- All the new ebony parts
- Strapped into the jig for fret dressing
Jul 10, 2009 @ 13:58
Conyach: Martin introduced me to this word years ago at the Kirkmichael Guitar festival during a session in the pub. It means when who you are and what you are doing become one…..or to put it another way – you get totally lost in what you are doing. It is a old Scottish travellers word from the story telling tradition. If the teller has no ‘conyach’ then no one will listen.
To me it is like what I am making already exists. I am just kind of freeing it out of the wood…It’s the same when I am playing well – the music already exists – I’m just channelling it from somewhere. I’m sure every guitar player must have felt that at some point?…I wish I could get that every time I play…..It’s like when you throw a dart and you know before it has left your hand that it’s a ‘bullseye’.
I’d like to think that I get it when I’m engrossed in the workshop. I felt it when I was inlaying the Horse. While I was working I couldn’t help imagining what it would be like to be on a horse riding like the wind and winning a race – I’m sure you would get the same feeling of total immersion and concentration. That’s why I decided that it was the name of the Fire Horse – ‘Conyach’ – It seemed natural to inlay the word on the headstock – I really hope Martin likes it…….
The whole inlay was in mother of pearl – I used a Celtic font for the lettering. Unfortunately as I was so engrossed in doing it that I neglected taking the pictures……I’ll find out if I can get any and put them here….for now I will stick in some pics after the inlay…….
Martin Taylor’s guitar – The Chet – part 8/10 – Visitors Rights…
Nov 18th
Martin Taylor pops in to check progress on ‘The Chet….’
- Is that an idea forming in Martins mind?
- The Celtic Knotwork for the f-hole
- A combination of magnets and clamps hold it in place while the glue dries
- F-hole Celtic Knotwork glued into place
Jul 20, 2009 @ 17:51
It was great to see Martin again – when he visits he usually picks up a guitar at some point and suddenly the workshop is filled with beautiful sounds. Its surreal – I really don’t know how he makes them sound like that but I will be signing up to his Guitar Academy to find out. This time however we spent all the time talking about the Chet.
He seemed to like the work I had done so far….especially the Celtic knotwork. In fact he decided he wanted the f-holes done as well!……In the first picture I’m probably thinking ‘OMG… how am I going to make a Celtic knot in the shape of an f-hole!’
After he had left I started on a design immediately and it just fell into place. I just made a very simple cross over in the middle and it looked great. I don’t know what I was worrying about……coff….
They did look a bit chunky until glued in place – I made them oversized so I could glue them on the inside, underneath the f-hole itself, which becomes the border around the edge. They had to be fixed accurately in the centre for this to work. I used magnets and a couple of clamps to do this. I LOVE magnets….I will definately write a post about ‘magnets in the workshop’ soon….
The f-hole knotwork was glued in unfinished so the glue would take (last picture), and brushed in afterwards with sealer and a coat of matt paint.
Click here to see Martin’s entry in his blog about the visit.















