Posts tagged ziricote back and sides
Bailey custom acoustic guitar- Ziricote and Bearclaw Bootlegger-P6
Sep 22nd
Making the neck
Read part 1, part 2, part 3, part 4, part 5
- Routing the truss rod slot
- Gluing on the fretboard
- Carving the heel
- The neck is test fitted
- Mother of pearl marker dots
- Laying out the headstock inlays
- The paper pattern is glued to the mother of pearl blank
- Drilling the penguins eye
- Cutting out the inlay shape
- The headstock is marked out
- Routing the headstock inlay
- Test fitting the pieces
- Black superglue fills the hole
- The pieces are pressed in
- Inlay left to dry
- The Finished ‘Penguin’ Headstock inlay
The neck started as a roughly 2″x4″ piece of mahogany which was first slotted for the truss rod, then the shape was roughly cut out and the tuner holes drilled before installing the truss rod and gluing on the fretboard.
The next stage was to carve the neck and finish shaping the heel, then the neck was test fitted to check everything lined up OK before levelling the fretboard, and installing the position dot markers, after which the frets were installed.
Finally the headstock inlays were made and fitted- Our Bailey Logo’s are usually made by Small Wonder Music, but the ‘Penguin’ I handmade myself:
The paper pattern (picture of Penguin) was glued to a mother of pearl blank before being cut out with a jewellers saw, and the edges cleaned up with a file. The piece was temporarily fixed in place onto the headstock with just enough glue to hold them for marking out, which was done with a pointy scribe. The pieces were then carefully pried loose with a chisel and a mini router was used to remove the material between the lines. Black super glue was used to fix in the pieces as it will be virtually invisible against the ebony background. I used masking tape to keep things tidy and when the glue was dry the headstock was sanded flat to reveal the finished design. Now the guitar is ready for spraying.
The ‘Penguin’ inlay was designed by Eaun’s wife Beth who is obviously a great designer and currently ‘about to give birth any minute’- Best of luck and best wishes from all at Bailey Guitars!
Bailey custom acoustic guitar- Ziricote and Bearclaw Bootlegger-P5
Jul 14th
Assembling the body
Read part 1, part 2, part 3, part 4
- Scalloped bracing
- A closer look at the bracing
- The heel block is glued to the soundboard
- Fitting the sides
- Gluing the sides on
- Centre seam reinforcement diamonds
- Gluing the final kerfed lining strips
- Gluing the brace end reinforcement
- Brace end reinforcement
- Carving the back braces
- Notches for the back braces
- Ready to fit the back
- Ready for the back
- The back is ‘roped’
- The body is now complete
- The body is ready for binding
The courses are finished for a few weeks so It is time to carry on with this custom Bootlegger I am making for Euan. Before the last course I managed to get all the parts for the body made, so to complete it all I had to do was finish carving the braces and then glue it all together. Now the ‘box’ is complete it needs binding and then I can continue working on the neck. I am still waiting to hear whether Euan has decided to go for a gloss finish or not…but there is still plenty of time for him to make up his mind…It will be a couple of weeks before I get as far as thinking about applying the finish…
Bailey custom acoustic guitar- Ziricote and Bearclaw Bootlegger-P3
Jun 8th
…Gluing the back braces and the rosette…
- Fitting the back braces
- Notches are cut into the centre-seam strip for the back braces
- All the back braces are now glued on
- The back gets its curve from the braces
- Checking the fit of the spalted rosette
- Ordinary white glue is used for the rosette
- I put the fretboard in place to show what it will look like
- It is glued in oversize and will be left overnight before sanding flush
The back braces are curved so when they are glued to the back it too becomes curved. The back will eventually be domed- curved front to back as well as side to side, but that is done when it is glued to the body during assembly.
The spalted maple rosette was made separately and then glued into a channel cut into the soundboard with a black/white/black strip either side. It sits proud of the surface and will be sanded flush when the glue is dry.
Bailey custom acoustic guitar- Ziricote and Bearclaw Bootlegger-P2
Jun 2nd
…Making the top, back and sides…
- Joining the bearclaw soundboard
- Bearclaw spruce top being glued on the joining board
- The sides were soaked before heat bending
- The sides after bending
- Mahogany is used for the centre-seam reinforcement strip
- Gluing the centre-seam reinforcement strip
- The back braces are curved and ready for gluing
- The soundboard has been cut out
The body is made up of these three parts Top (bearclaw sitka spruce), back, and sides (ziricote)
I made a good start on all three pieces this week, everything is now thicknessed and joined. The top and back are cut out and the sides have been bent and all the braces are already made. Next job is to do the spalted maple rosette and start gluing the braces on.
Bailey custom acoustic guitar- Ziricote and Bearclaw Bootlegger-P1
May 13th
…Decisions, decisions…
- Bear Claw Sitka Spruce-1
- Bear Claw Sitka Spruce-2
- Ziricote-back and sides
- Mahogany neck blank
Euan chose Ziricote for the back and sides of his custom Bootlegger and Bearclaw Sitka Spruce for the soundboard. The bootlegger is quite large (16″ across), so I had to search for a piece big enough which took some time. This was the only one I could find which fitted the bill and fortunately it is a stunner! The figure (grain pattern) in Ziricote is called a ‘panarama’- you can see why, It looks like some far off exotic landscape…
There is a choice of two Bearclaw soundboards for Euan to choose from, both look great. Whichever one Euan doesn’t want I have plans for!
For the neck I found a piece of mahogany from the same batch as found on this Bailey Companion Euan liked. Of course every piece is individual and they look different under different lighting conditions but this is as close as we are ever going to get. This neck blank was originally put aside for Preston’s Baritone but we chose instead to use some reclaimed mahogany for that.
The fretboard and bridge are both to be ebony, the black will match well with the dark lines on the Ziricote.
I have already joined and thicknessed the wood for the back and sides, so next week I will be able to get started on it properly while the lacquer dries on the Ancient Kauri guitar…






















































